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Indie Author Book Signing Success

This ain’t no “build it and they will come” scenario, folks. Books signings are a hard sell, even for the traditionally published writer. Book sales are a hard sell, and, at a signing, you’re asking people to come buy your books at a specific time, in return for your smiling face and John Hancock. Your mama thinks those are special, but to most people, they aren’t much of an enticement. If you’re indie, you’ll have to work hard and smart if you want a dynamite book signing, but you can achieve fantastic results if you include these factors for success in your planning:

1. Location, location, location

Don’t go holding some random event in an area where you have no following or name recognition. Who the heck is going to come check out the Secret History of Middle American Basket Weavers unless they already know the book, and, even better, you? The only answer: no one. You won’t even get a polite drop-by from the janitor unless you went to high school with him. Why? Because people are afraid that even talking to you will result in them having to buy shit they don’t want. Right? That’s why you scurry past the vendor-person when you see them, too. You know you do. So pick a location where people know of you or your book. Where you can draw a crowd of people that came specifically to see you and buy what you are selling. Otherwise, you’re going to sit by yourself for two hours playing tiddlywinks and pretending you aren’t devastated.

And, on the subject of location, some stores charge you for the signing. It’s up to you, but you probably won’t recoup the cost, especially if you’re footing the bill for grub and giveaways (see #3 and #4). I don’t pay for book signings. I do, however, partner with the store to promote them. So I don’t talk about ebooks when I’m in the world of brick and mortar. I do suggest to customers who buy my books that they take some time in the store, and consider purchasing some of the fine merchandise available above and beyond mine. Because, to me, it’s all about making the store owner feel the event was worthwhile. If they made money, I probably did, too, and they may invite me back or become a reference for me. More on that, below.

Don’t sit around waiting for stores to invite you, either. Seek them out, introduce yourself, ask them to carry your books (the words “on consingment” work wonders, since the stores have to pay up front for all the inventory they carry from the traditional publishers — they may get part of their upfront investment back when they pulp the remaining books, but consignment is a magical, wonderful word to them), and request a signing.

2. Timing is everything

You want shiny, happy people who don’t feel rushed. You don’t want them fighting traffic to get to you. They need time to chit chat with you while you sign the book they buy, and then browse the store and buy other products your host has to offer. So pick a day and time that allows them to attend, and to shop at a leisurely pace.

3. And who doesn’t love free food?

Bring food, if the store will let you. Be sure that if you offer an alcoholic beverage that you provide a non-alcoholic choice as well, and snacks. I’m serving wine and Fre (alcohol free wine, awesome stuff), fruit, and cheese at a book-signing later this month. People are rsvp’ing “yes,” by golly, and I’m holding it at “happy hour” time.

4. Hell, who doesn’t love free “anything?”

Giveaway your bookmarks or other small items to every person who stops to talk to you. I also give coffee mugs to people who buy five books or more. I have magnets and pens for folks that buy from 2-4. Ask the store if they are running any specials in conjunction with your signing that you can promote for them; this may even provide them with a “hint.” And, finally, consider making your signing a “Q&A” or a “Workshop” instead of a signing. Sure, you can still sign and sell books, but the store and you need traffic, so give people something of value, for free, to get them to come in the store.

5. Secure commitments

Don’t take it for granted that your best friend Martha will come and bring her roommate and her roommate’s boyfriend. Promote your event. Facebook Events is a good way to start getting the word out. I then use Evite.com to send cute invitations to my contacts via email. I post my Evite on Facebook. I send it to my invitees again through Facebook inbox. (By now, they’re ready to kill me, but they’ve found they can’t ignore me) I can also use Evite to send reminders to those who RSVP’d yes, and I can tickle those that failed to respond.

I don’t stop there. I also ask the store if there is anything they can do to promote it, like posters in their lobby (which I print and  mail to them, or email if I trust them to do a decent job of the printing themselves), or by the cash registers. I ask if they have recommendations for promoting it in the community, like community bulletin boards, or community Facebook pages. If the business has a Facebook page, I link to it in my Facebook Event. I invite the business. I ask them to post the Event on their wall. Finally, I send personal emails or I pick up the phone and talk to the people I want to “anchor” the event. I need 10 commitments of attendance to make the event worthwhile. See #1, Location. I won’t have a signing in a community where I don’t think I can attract 10 people. Why would I waste my time? What have a I gained?

None of these things cost money, but they all require elbow grease.

Recently, I held a book signing in a Central Texas town of about 20,000 people. I live in Houston, a community that bulges at the seams, with millions of residents. I will have signings lined up in Houston, sure, but I started with a smaller town. Why? Because I had family there.

Pre-signing, enjoying a can of Whoopass. Seriously, that’s what it’s called. I <3 energy drinks.

Now, you might think the first people to buy your books when you release them will be family, and you’re right about your mom. And that’s about it. The rest may remember to buy them later if they see them somewhere, if they opened your email announcement about your book release in the first place. So I held the signing in conjunction with a family event in this town, and then my family orchestrated visits every 15 minutes in groups. I sold 50 books in two hours. I sold books to people I didn’t know, which was cool; one of them even asked to buy my upcoming novel now, which makes him my hero. My 50 book sale set a record for the store for the highest sales by an author at a book signing in their history. With only 50. Does that tell you something, people? Unless you’re Kim Kardashian, you just don’t sell in volume at signings. Heck, I was elated with 50. It blew my expectations out of the water, and the store manager said he would have considered 10 a very successful signing. But what else did I get out of it? Why was it soooo worth my time?

  • I sold books. Have you noticed yet that it is hard to sell books? It is. And each book is more than a book, it is also like a business card. I may have primarily sold them to family, but those were 50 books that they wouldn’t have purchased/read otherwise, that may cause them to buy more as gifts, tell others about them, or pass them along to others who might read them, buy more, talk about them, and pass them on. Grassroots.
  • I ingratiated myself with the store. They sold a lot more than my books to my customers. They did a thousand dollars in business related to my signing. The manager was bouncing up and down on his toes when he showed me my numbers and their numbers.
  • As a result of my “popularity,” the store moved all my books to an endcap, with a “signed copies available” display. That placement alone sells books, makes me look IM-PO-TANT. Before, they had stuffed me in a corner under “Humor.” You could only find them if you asked at the front counter. (Ah ha, just being stocked in a store is not enough. You need placement….)
  • The store gave me a reference to their corporate office and other locations. I have booked a signing in another community in which I have significant ties as a result of this success. And I plan to work just as hard to draw a crowd for the store, there.
  • I had material for this blog post 🙂 and for my social media promotion. I need material that is tied to my books, because I don’t tell people to buy my books on Facebook or Twitter. I tell them when I am on a radio show, or when I have a signing, or when an article appears about me in the local paper. So, even if my signing was a flop, I have something to promote that links to my books, and none of my online community has to know I ate all the fruit and cheese myself, right? But even better if it was a success on its own merits.

I have one last tip for you. It’s about volume. I have seven published books. I brought multiple copies of five of them with me to the signing I told you about, above. Many of my customers bought three or more titles. I would never have sold 50 if I wasn’t a multi-title author. It’s worth thinking about. If you hold off until you get that 2nd or 3rd book out, you will have a lot more vroom vroom in your sales engine at a signing. Or any time someone finds you, whether online or in a physical store.

I don’t believe the days of bookstores are over. I don’t believe print books are “out” either. I do know that ebooks outsell all other individual types of books, and I hope to sell tons of ebooks, over time. Right now, I sell more books in print than I do in ebook format, but then I am only one month into my indie journey. Check back with me in a year, as “everyone” keeps telling me that ebook sales don’t mushroom (if they ever do at all) until six months after a book release. Meanwhile, I have five book signings lined up, to create name recognition and show my most accessible audience that I am “for real” as a writer, so that they might gift me with something far more valuable than their $12.95 per book: word of mouth. And even your mother isn’t going to do that for you effectively unless she’s actually read and loves your work.

Bottom line: success starts with realistic expectations and goal setting. You can do successful book signings as an indie author, but not without careful planning and a great deal of effort — the right effort. Don’t overbook yourself with poorly timed or executed signings. Pick the right location within the right community, get firm commitments from “anchor” attendees, and give more than you get, in terms of your expertise, your snacks (!), and your promotion.

Best of luck to you!

Pamela Fagan Hutchins

Indie Publishing Your First Book

If you are indie-publishing your first book, one of the most important early decisions you will make is about your ultimate goal for your book and writing career.  Don’t take this lightly. I mean really think about it, stay up all night, go to your special soul-searching-deciding-place, or whatever you do to make the important decisions, because this one matters.

Listed below are the basic choices.  As you go through these you may be wondering, can I change my  mind later? Well, yes, of course you can. But if you live in Chicago and want to go to New York, but you start out heading for California, it will take more time energy and money to get you where you want to go. You know what I mean?

Sample Goals For Your Writing

  1. I want to put something that is in my head down as a permanent record. I don’t care if my mother and I are the only two people in the world that own it.
  2. I want to write a memoir of someone important to my family. There will likely be very limited interest in it outside of our family circle
  3. I am a subject matter expert in a very specific topic. There will be a segment of the population that would be interested in what I have to write if I can get it in front of them.
  4. I enjoy writing, and I write in genres that people tend to read. People who have read my work seem to enjoy it. I want to try to get it out there and see if I can find a market.  I do not need this to make the money that puts the food on my table TODAY, and I understand I will have to put at least a small amount of money into it that I may never get back, but I’d like to be able to quit my day job someday and earn my living as a writer.
  5. I want to be the next __________ fill in the blank (Amanda Hocking, JA. Konrath,  J.K. Rowling, Stephanie Meyer, Nicholas Sparks), and I want to be rich.

The first two choices are within anyone’s reach. Experts can pursue number three. Number four is feasible for talented writers who devote a lot of time and some financial resources to their goals. There are no guarantees on how MANY books you will be able to sell, but, if you are in it for the right reasons, what a cool adventure it will be.

If number five is your goal, then I hope you are a trust fund baby or have a spouse that provides all the income your family needs (plus a lot  for you to work with), because you will not only have to write fantastic books, but you will need to invest serious time and money into promoting them. AND, recognize that you are committing your life to this, full time, for the rest of your life. AND, that chances are it still isn’t going to happen even. Sorry. The odds are just stacked against you.  It will take doing everything right AND a great deal of luck for that to happen.

Once you have decided on your goals, lay out a plan. I’m serious about this plan. WRITE IT DOWN. Read everything that you can get your eyes on, starting with this blog and then out there to the ton of free resources available.  Make your plan specific and detailed about how to make your dreams a reality. AND THEN FOLLOW YOUR PLAN.

None of the goal categories make you any more or less a writer. Don’t EVER let anyone tell you they do.   The goals just determine the actions in your plan. If your goal selected above is #1 then it really isn’t very important that you waste a lot of time reading about and developing your presence in social media right? So, don’t; go write instead. Choosing the right path ensures you do not waste energy trying to achieve things that don’t matter to you, or that are not realistic for your writing.

 

You climb a mountain one step at a time.

A few years ago, my wife Pamela and I were faced with a whole lot of personal adversity. The list of problems was very long and included jobs, finances, and family issues. We also had a goal. A goal of getting to a place that to us represented peace, stability, and safety. We knew where we wanted to get to but if we looked at it from the perspective of where we were then, it looked like Mount Everest, with a narrow winding trail on the edge of a cliff, and we were wearing 100-pound backpacks.

It took a lot of work, and there were days when it took tremendous effort and will to keep moving forward, but eventually we prevailed. The only way we were able to succeed was to force ourselves to focus on our feet, putting one in front of the other, slowly, methodically and without looking up (or behind us to where we started). We did not allow ourselves to be discouraged by how tall the mountain was, or how steep the cliff was if we happened to wander off that path.

In a lot of ways the experience of getting Pamela’s works published feels similar. The path is long and twisting, the choices complex. There are obstacles and pitfalls all along the way (and the bodies of a lot of authors who have given up littering the trail).

The point in all of this is that for an author to climb this mountain to the peak of indie publishing, you need to break it down into steps, the smallest possible steps that you can. List them out, map your progress, cross things off when you finish them so you have the satisfaction of seeing that progress. Celebrate every step along the way. And, don’t be in a hurry. That book you are trying to publish has probably been floating around in your head for 20 years. If it takes another 20 weeks (or months) to get it out there in a form that you can be truly proud of, that’s nothing. Why not do it right?

Pamela and I have learned a ton as we’ve climbed this mountain and published her first few books. The purpose of the blog portion of this site will be to share what we have learned with other indie authors, so that maybe we can make the trail a little shorter and a little less steep. Or we may just inspire you to keep putting one foot in front of the other.

So look for my posts once or twice a month on SkipJack’s Indie Publishing blog. I look forward to providing you with common sense solutions to your indie publishing challenges, and helping you up that mountain.

Eric

BEFORE you put it out there

Anyone can publish what they write, but if you are serious about trying to sell it, you should invest in it in several ways, before you do.

Why? Because publishing is forever. A print book sold is permanent. Sure, you can recall an ebook and substitute an updated version, but how many people take the time to replace their old one? Most people never re-open your book once they decide they are done, whether that is at the words “the end” or when they get fed up with errors or poor writing. Only a few people re-check and re-read, and they only do it for those rarest of authors, the ones whose books they love so much or find so useful that they reach for it over and over again.

You won’t be that author if your book sucks.

Don’t be the go-to when your reader runs out of toilet paper. Don’t be the ebook deleted from a library because it annoys the reader to look at its childish cover art another time. Do these things up front, instead:

Critiquing:

Friends, don’t make people read your crappy first draft. OK, maybe on your first book, and then only people you really hate. Scratch that. Only people that love you enough to say, “Wow, awesome,” and pretend they made it all the way through. Please, please, please go through it at least three times (initial draft, first pass-through for finish-out, and first edit) before you subject it on the world.

Then, have a few trustworthy but gentle people in your life give it a quick read to see if it is worthy of calling in chits. Make suggested changes that you buy into.

Then, and only then, should you ask writing groups or critique partners to wail on it. Consider their suggestions. Incorporate the good ones.

And then set it aside for a month or three, enough time to give you emotional distance. Go back to it and re-edit.

Guess what? I’m so scared about putting smelly poo out there that after I’d done all these steps, I paid for a manuscript consult with a book editor. Yep. And it was worth every penny.

Once you believe it is the best you can possibly make it, it is ready for…

Editing:

Once your manuscript is ready – really, really ready – you need a professional editor, someone to clean up your words, sentences, and paragraphs. You really do. I taught writing in grad school, and I critique for lots of people, but I am not qualified to critique your manuscript. If I’m not, then I doubt your best friend Joey is either.

If you know a professional editor and can swap services, then knock yourself out. Otherwise, expect to spend around $2000 on editing for your novel. Less if it’s on the slim side. This is an area where you pay now or pay later. Don’t skimp. Find someone great. You can even hire mine.

Cover Art:

Good covers sell; crappy covers say “next please.” And your readers will see the covers reduced to the size of a thumbnail on Amazon.com. Here’s the size of a thumbnail, of a book by an indie author that I’m reading right now.

It’s a good book, not a great book, and, IMHO, the cover is pretty good, not great. Want more of my opinions? Run away fast if you don’t.

Here’s an indie cover I think is great, although I haven’t read the book:

 

Here’s an indie cover I didn’t find compelling:

 

Which books would YOU buy?

Expect to spend $200-500 for cover art, unless you can trade favors with someone with skills. You can be the judge of my covers: https://skipjackpublishing.com/authors/pamela-fagan-hutchins/. I spent $250 apiece on them. Half of that went to the artist who did the image, and half to the graphic artist who did my text and layout for the print books. The contact info for my cover image artist is linked in SkipJack under Partners.

I chose to use original art rather than stock photos or graphics, because I was doing five nonfiction books with obvious interrelated pieces. I wanted them to strike a familiar chord with readers that had seen one or more of my other books. For my novels, my covers will be much simpler, and they will be based on photography rather than digitized art. I am sorry, but I can’t release any of my novel covers yet, so you’ll have to come back in six months to see how they turned out.

Formatting:

I’ve already opined on formatting software. What I haven’t mentioned is how important good formatting is to the success of a book.

For ebooks, some elements of formatting won’t be within your control. Page breaks? Not relevant. There are none. Font size? Your reader can change it. Same thing with the color of your page or text. But how your do your Chapter Headings, where you put your “other matter,” like “About the Author” and “Other Books By” all counts, a lot. So do images, bullet points, indents, spacing between paragraphs, and footnotes.  I’ll blog some time in the future with specific tips on what works best for each of these. For now, just know you will need to invest the time to do it right, and not just schlep up whatever you had in your draft manuscript onto the internet. *Shivers*

If you’re doing print books: All of the things that mattered for ebooks matter for print, plus a lot. Now you do have page breaks, page numbers, and actual paper, binding, and covers.Your font matters – pick one that is readable, not nifty. The size matters. Don’t go tiny to save paper. You have a million and one decisions to make that affect readability and thus purchase-ability, and they also impact the cost to you. Again, this merits a whole blog. I’m just throwing out a warning now: don’t phone it in.

 

Tune in next week for more of my lessons learned and opinions on indie publishing. Because I want to help you skip all that jack, too.

Formatting Your Indie Published Book

By Pamela Fagan Hutchins

How you format depends on where and how you plan to publish.

Print formatting: Are you going to print your books? I chose to do so, and I found the best deal with Create Space (http://createspace.com), at least the best deal that met my goals. I wanted the lowest cost for small volume runs, and print-on-demand sales through Amazon. If you know you’re going to print a very high volume of books, you might be better off going with America’s Press (http://americas-press.com). Create Space has Word Templates for whatever size book you want to create (i.e., 5.25×8 inches, or 9×6 inches). The templates are handy, if you are very proficient in Word. If not, they are easy to mess up. I’m pretty Word savvy, and I got turned sideways on a template and couldn’t recover. I had better luck with Book Design Wizard 2.0 (http://www.self-pub.net/wizard.html), a $39.50 piece of software that is nothing more than a really snazzy Word Template, but far more Pamela-proof than the Create Space version. Since I was formatting five nonfiction books, and plan to do a minimum of four more in the next year, this investment was miniscule. Their customer service is good, too. (And speaking of good customer service, I’ve had a wonderful experience with Create Space). SkipJack can help you out with print formatting if you’d prefer.

Ebook formatting:

–        Smashwordshttp://Smashwords.com : It’s their way or the highway. They publish a comprehensive how-to on their website. Follow it to the letter. I had no trouble, but, if you do, they can recommend people who format your manuscript for around $50.00. If you’d like other resources, SkipJack can help.

–        Barnes & Noble/PubIthttp://pubit.barnesandnoble.com : Barnes & Noble’s Nook reads e-pub files. You can, if you publish with Smashwords and choose/qualify for their expanded distribution network, allow Smashwords to distribute to B&N for you. However, as you’ll see in a moment, you should have no trouble creating an epub for yourself and directly uploading it to B&N’s PubIt, which nets you a better royalty.

–        Amazon, oh Amazon, how I love thee, Amazon/Kindle Digital Publishinghttps://kdp.amazon.com/self-publishing/ – Amazon’s Kindle reads mobi files. Amazon allows you to upload a variety of file formats, such as pdfs and Word docs, but I warn you, you have less control over how it ultimately looks if you don’t set it up as an ebook yourself before you upload. You’ll have the most flexibility formatting your book in HTML (and here’s a great how-to: David Gaughran’s blog and ebook, Let’s Get Digital (http://davidgaughran.wordpress.com/lets-get-digital).

However, if you want a Pamela-proof method to create an Amazon-and-Barnes & Noble-ready ebook, here you go: PRESS BOOKS (http://pressbooks.com ). Press Books uses the Word Press interface to create epub ebooks FOR FREE. So if you know how to use Word Press, this will be candy. I use Word Press for my blog and for my website. You have a little less control than with HTML, but you absolutely know what you are getting will work. So you can take your epub from Press Books straight to B&N’s PubIt and upload. You have one more step to go to get your ebook ready for Amazon, and it’s also free. Download Calibre (http://calibre-ebook.com). Open your epub in Calibre. Convert to mobi. Upload to Amazon/KDP. If you want help, give SkipJack a shout.

Going through formatting for print, Smashwords, PubIt and KDP simultaneously for five books all by myself taught me a lot. My biggest takeaways: 1) nonfiction will take two to three times as long as fiction. Each bulleted or numbered list, each subheading, and every image requires extra effort. Don’t even get me thinking about (gasp) text boxes and footnotes. 2) I will never use the tab key again (those that have self-published are smiling right now). I will zealously format every manuscript from its inception in such a way as to help me format for publishing faster. Use Word (.doc not .docx) and use “Styles,” people, use Styles.

My total expenditure on formatting? $39.50. But my investment of time to format five nonfiction books for all of these venues, as a first-timer? Two weeks. My estimate for how long it will take me to do one nonfiction book for these venues, next time? Three hours.